An internet blog post about tautology

This is MC Grammar's sister, Bee-Rock.

Bee-Rock is a dancer. She loves hip-hop, jazz, contemporary and ballroom, and any other style of dance you can think of. But she has a problem. Every now and again, somebody utters the phrase 'I saw you dancing that dance last week.'

This phrase is what's known as a tautology. This makes Bee-Rock very annoyed. You see, Bee-Rock has no time for tautology. Sometimes it gets so bad that the only place she feels safe is on the dancefloor. She flees back to it and dances furiously, mascara-stained tears streaming down her face. 'No der I was '"dancing" a "dance"' she screams against the din of music to no one in particular. 'How else you do a dance?'

Tautology is when you say the same thing twice in different words. For example, the tiny little man is a tautology because it's unnecessary to say both 'tiny' and 'little'. Other examples of this are:

I'm going to raze this house to the ground.

When you threaten to raze something, it's pretty much assumed that you're going to raze it all the way to the ground.

The downstairs basement

Basements are always downstairs

One of the most common tautologies is terms like a free gift. This offender tends to come up in many varieties, such as:

A gift of wine on the house

The elephant was donated as a gift

Gifts and donations are always free, so this is where the tautology part comes in.

So do the right thing and try not to use tautologies – as Bee-Rock always says, the time you waste saying unnecessary things is time your could have spent dancing.

Sudden Adjectives: The words that action movies can't do without

MC Grammar loves action movies. All those explosions, high speed car chases, bombs, and even though walking away slowly from an explosion that is right behind you in real life would just be a sign that had been traumatised by violence, there's nothing quite like it when you're watching it in an action movie.

And one of the things I love the most about action movies is their names, like Dragon Eyes, Sudden Death, Street Fighter, Hard Target, Double Target, and Knockaround Guys. All these titles have something in common – they all have adjectives in them.

There's nothing I love more than an adjective-noun action move. When you see one of the these, you know that you're going to get first-class action on your wide-screen TV, and almost definitely the martial art stylings of Jean-Claude Van Damme will be in it.

 The role of adjectives is to give more information about the thing you are talking about. The most common form of an adjective is the attributive adjective. There are difference kinds of adjectives. There are attributive adjectives, meaning that it tells us more about the the main noun or object in a sentence:

It was an interesting animal

An adjective can be predicative, meaning it can be the predicate in a sentence:

This wig is glossy

And adjective can be post-positive, which means that it appears after the noun, like:

There was food aplenty, but it was of the worst kind imaginable

Or an adjective can be substantive, which is when an adjective is used like a noun:

The good, the bad, and the ugly.

A good rule to follow is to avoid using too many adjectives in a sentence. For example, look at this passage from 'New Moon', by Stephanie Meyer:

I woke with a start  – my eyelids popping open wide  – and gasped. Dull, grey light, the familiar light of an overcast morning, took the place of the blinding sun in my dream.

Woah, Stephanie Meyer, slow down there! There's a shitload of adjectives in your story and it's making your story look weird!  

Also, you run the risk of tautology when you use too many adjectives. For example:

The wide open canyon.

Obviously a wide canyon is going to be open.

I was in close proximity to the lion.

All proximity is close.

Good God – where would we be without adjectives! Imagine if some of the greatest movies didn't have adjectives to emphasise their awesomeness? We would have action movies with names like 'Death that is going to happen now', 'More Than One Target' and 'Target that I keep missing'. As this would not do justice to the man that inspires all these movies, Jean-Claude Van Damme. Let's pay homage to him now.